If you haven’t read the entry “She gets it now (9/18/2015)” I hope you will.
I really thought I did “get it”. Ha! It’s four years later since I wrote it and
the experience that motivated me to write the piece was even years before
that. Well guess what. I obviously didn’t get it then, but I do now. My
problem is to get past the intellectual understanding - or getting - to a
behavioral one! I think I might be there.
If you haven’t read the entry “She gets it now (9/18/2015)” I hope you will.
I’ve talked about Talia before and you can go back to the February 9, 2018 entry to read that portion. It dealt with the fact that she had talked me into being a part of her project.
The video post that I’m doing now is actually in several parts. The first will be on Talia’s book, Alexia Wants to Fly. The first part of the video will be where I tell my longtime friend and former student, Connie Freeman, that I’m taking her to meet the author of the book I had sent her for her niece. Then there is a short scene in the restaurant, Chocolate Maven, followed by a lengthier interview later with Talia about her book.
Part two of the interviews with Talia starts with my interview with her after an evening performance of the play, The Water Engine, produced by the Oasis Theater Company at Teatro Paraguas. The second portion of part two, is an interview with Talia shortly after she has completed her one woman show, The Passion of Ethel Rosenberg. And by the way, there will be a part three, which is a surprise.
This is an excerpt from The New Mexican in Summer 2018, in My View written by Jerry Labinger and titled Theater in Santa Fe - Better than People Think:
“I try to see as many plays and staged readings as I can, and only a few stood out in my mind…And the Passion of Ethel Rosenberg, a one-woman performance by the terrific Talia Pura, was so powerful in its humanity and true horror - Ethel Rosenberg was executed with her husband on espionage charges in the early 1950’s - that the warning to the audience to have a box of tissues handy was more than justified.”
This is part three and I don’t have a lot to say other than Talia is one amazing person. Who knows what’s coming next!
There really isn’t anything Talia can’t do, and by the way that tray of animals are her creations. They may be purchased at Indigo Baby in Santa Fe.
Such a beautiful obituary for my friend of past years. Darwin was just moving into theatre from his art major when I met him. We were in several plays together and toured one spring in the first touring theatre for SIU’s theatre program. One memory stands out when he and I were on stage waiting for the major character to come in and reveal crucial information about the plot. She came on stage but wasn’t really there! Darwin and I kept asking her questions getting no answers. Later he shared with me how he looked at the scenery he designed, painted, carried back and forth as we toured and it all left him blank. I was aware of the various offers in NY and other places, but he returned to his hometown. He was a gentle soul. As I watch our changing Santa Fe clouds daily and our starlit nights, I know he is having fun still designing!
This obituary written by Dennis’s family really says it all. I would just like to add my endorsement to his teaching life. My son as a freshman, was fortunate to have him as his first art teacher in high school. Dennis, being the excellent teacher and human being he was, spotted my son’s interest in animation and encouraged him throughout his four years culminating in films where younger students were working on those films. Later on visits back home, my son would visit Dennis’s classes and share his work on George Lucas and other directors’ films. Wow! As I write this, it just dawned on me that Dennis’s leadership as Mayor must also have influenced my son. I remember being shocked that my son living in a small unincorporated California community headed a board and spent time fighting an oil company polluting it.
What I am most grateful for is that Dennis was there as a wonderful role model when my son needed one so desperately.
When and why she became interested in the hibiscus she still doesn’t know. But she did. At first she gave hibiscus plants to her Mother who loved them but admitted that she had difficulty keeping them alive.
On her first trip out of the States, other than brief journeys to Mexico and Canada, a strange attraction developed between this woman and a hired driver in Bali. The group with whom she was traveling had hired this young man to drive them to various locations.
On the final leg of their trip, the group began to load luggage and prepare for the last trip before heading home to the States. As she approached the van, one of her traveling companions stopped her, and with a Cheshire cat smile said, “You’re sitting in front.”
To this she responded with a puzzled look and queries, “What?”
At that moment the young man approached her and guided her to the seat next to him. But before he helped her climb into the van, he presented her with a magnificent hibiscus flower which he placed in her hair.
When she finally decided to stop being a co-dependent to her daughter and moved to the Southwest, one of the first plants she bought for her apartment was a hibiscus. In fact, she purchased two!
She watched as small blooms began to appear, never more than one or two at a time.
The first bloomed slowly, opening its fragile petals. It was so beautiful! It reminded her of the one in Bali.
The next day the flower had shriveled into a broken down has been.
It was then she began to learn that if one loved the Hibiscus, one must also learn to appreciate its growth cycle. And so, she continued to pay heed to what happened on a daily basis with her treasured plants.
Several years later she was watching once again the anticipated opening of the beautiful flower. She planned to take a picture of it and perhaps even try painting from the photograph. Not that she was an artist—far from it! But she had been inspired from the Georgia OKeeffe florals.
The grand opening happened earlier than she expected. She had no film, and because of the day’s schedule purchasing new film would have to wait. She spoke to the flower telling her – and it was a her for this woman – how beautiful she was. She pleaed with the flower to hold out for another day.
Coming home that evening with new film for her camera, she loaded the cartridge and rushed into the bedroom where the hibiscus resided. The magnificent bloom was now a shriveled mess. Not wanting to dwell on things she could not control, her inward voice said, “There will be more.” And of course there would be. But it was then she was struck with the idea that this flower, this giving birth, this watching the growth process, this, “I can’t wait for when you’re ready.” concept was in fact what life was all about. And like THE LITTLE PRINCE and his rose, she realized her hibiscus was also special.
Special just as each child, each grandchild was special. She did decide however not to call her daughter with a lecture on the “moments” of a child’s life and how her daughter would regret being too busy to see these things. Nor would she reveal the impact that shriveled flower had on herself.
She too had bloomed and now was in that final stage.
Topic assignment: Laughter Read in Terry Wilson’ writing class 11/13/14
I am not laughing. I’m sad. George Tate passed away, and I did not have time in the last year to contact him. For a year on my “to do list” I have had “write note to Ann and George”. But I didn’t because I didn’t know what to write. All of this stemming from what should have been a good documentary that could be used in teaching. Instead it was a bust.
Most of all I am saddened that over two years I have not had contact with two people with whom I used to be close.
So since the topic is laughter….I will talk about George and his laughter. I have many hours of video which couldn’t be used because they preferred it to be on their intercultural marriage. And so, I obliged.
But, I can still see and hear George as he told his many many stories of his life. So many they are hard to recall. I remember especially the one when Martin Luther King came to the city of Chicago and the infamous Mayor Daley gave him the key to the city. The previous evening Dr. King had gathered a small group of friends who were activists in the community. George Tate was one of them. As George told the story they were all teasing Martin about being so important and would he remember them when. Then Martin got serious and told his small group that he had invited them deliberately for that reason. He said fame does things to people and he wanted each of them to vow that if and when they ever saw him drifting from the mission, he expected them to contact him.
George went on to say with his beautiful teeth showing his big smile, his manner of laughing at himself, “Oh Pat, we were so naïve.” “We thought Martin’s visit meant things were really going to go well for us”. “What we came to find out, the minute Martin left the Mayor’s office, Mayor Daley called in all of his various inspectors telling them that apparently there were a number of local ministers who had too much time on their hands. He ordered all inspectors to go to their churches and find problems with the buildings.
Another story George told was how he and a group of the protestors went to Marshall Field’s in the heart of Chicago. They drank out of the fountains marked “For white only”. They were reprimanded, “Can’t you see the sign?” “Sorry sir, can’t read,” George responded. George had a PhD.
George was a humble man not one filed with rage and anger. Perhaps it was his age or perhaps because he was raised by and became one, a minister.
No one who has ever known George can not help but remember his soft, gentle, laughter. He was truly a great man. And now, I smile as I think that perhaps he and our mutual friend, George Manner are strolling the heavens together reminiscing over the old times at SFCC.
I can feel the sadness leaving me. I can see that smile.
I love you George….may you rest in peace.